Freshly coiffed, here I lie beside the saltire of my father’s country and ponder the fact that, by first thing this beautiful morning, all evidence of the film-makers had gone from the beach, save the scaffold – now charred and worn from the work to which it had been pressed. A lonely relic among the dunes, we hope it will be left until reclaimed by wind and weather over the years to come. An empty stage is always evocative and – no matter how briefly peopled – ghosts persist, as we boys know better than most. Reading the signs of other realms of existence – an excellent tracker – head down, I charge along employing my spaniel-isms; the poetry, the images of time and place, footprint and breath; what once was there and now is there no more. Shakespeare, who seems to have understood everything, through the character of Macbeth, his own creation, shows us that he understood the difference between dog and dog: the swift, the slow, the subtle,/The housekeeper, the hunter. Interesting isn’t it, that at the point of choosing a suitably ruthless murderer to take on the assault on Banquo, his own best friend, Macbeth reaches for his knowledge of mankind’s truest companion? Yes, we have our uses, and our talents; ‘bounteous nature’ throbs in our veins. You may have left us, Michael Fassbender, but I – a small spaniel – can detect you still! Other recent posts have reflected on the sudden transformation wrought here by the arrrival of the Macbeth shoot. In the village car park, now bereft of all the trainers, vans, equipment, coaches and trucks, only the marquee survives. No doubt by the end of the week, that will have vanished, too. The other sort of magic has all gone. But only in a sense.
If you would like to see some other pictures of the filming, you will find them here: